Garry Winogrand. New York City, from the portfolio “Women are Beautiful,” 1968 (printed 1981). Gelatin silver print, image 8 ? x 13 ¼ in. (22.5 x 33.8 cm), sheet 11 x 14 in. (27.9 x 35.4 cm). Gift of Christopher P. Gane (1982.29.1)
Photographic Influences
Bryan Edwards ‘19
Collections & Exhibitions Student Assistant
I have been photographing seriously for the last five years, and prior to my work at Wellin, I focused mainly on landscape, portrait, and experimental long exposure. Through working at Wellin and cataloging and researching our extensive photography collection I began to appreciate street photography, a genre I had never considered. I have had the opportunity to handle the work of Garry Winogrand, a street photographer who shot primarily in New York City in the 1960s, 70s, and 80s. At Wellin we have his most notable portfolio, Women Are Beautiful, a compilation of photographs Winogrand took of every woman he passed on the street that he found beautiful, which in many ways is a sad reflection on his divorce. Looking past speculation about his obsession over women during this era, we can find a lesson that as we walk from place to place we often neglect the interesting stories and situations in front of us. Winogrand’s work taught me to carry my camera, take a lot of shots, and look beyond what I typically view as boring. One of the photographs I researched by Winogrand will be in next fall’s Innovation Approaches / Honored Traditions - a collection exhibition celebrating the five-year anniversary of the Wellin Museum.
The Wellin Museum of Art at Hamilton College kicks off its fifth anniversary in 2017 with Julia Jacquette survey and an endowed position for its Director