
Laurie (Ella) Gant
Ella Gant explores intersections among established traditions and contemporary practices in the arts and education.
As an art student you will create and learn in the new Kennedy Center for Theatre and the Studio Arts. Across the street at the Wellin Museum of Art, an acclaimed facility, you will experience professional exhibits and perhaps show your own work. Art faculty members help students become independent, critical thinkers who continue to create and discuss art after college.
Art majors explore the significance and meaning art holds in their own lives and examine the ways in which works of art express and communicate ideas to others. Students are part of an environment that offers a world of ideas to challenge them intellectually and inform their work.
I think some people don’t value it enough, but having an open curriculum is amazing. I have a lot of interests and the space to explore some of them. I took Cultural Anthropology, a class about natural disasters, and I’m taking Classical Mythology next semester. The fact that I can do that and still graduate with two majors is incredible.
Marisabel Rey ’19 — art and literature major
Hamilton's art program is concerned with the creation of visual incidents and with the dialogue surrounding the communication and placement of a visual object or experience in a contemporary and historical context. It’s an exciting, rigorous, interdisciplinary art-making department that includes a visiting-artist series, multiple full-faculty critiques and a multidisciplinary studio environment.
Ella Gant explores intersections among established traditions and contemporary practices in the arts and education.
Robert Knight uses photography, audio, video and installation to explore his research on the relationship of contemporary culture to the domestic.
Katharine Kuharic's work has been exhibited in group and solo shows in the U.S. and abroad.
Bruce Muirhead's work has been exhibited at The New York Society of Etchers and the National Academy of Design, among other venues.
Rebecca Murtaugh has exhibited her work in solo and group exhibitions across the U.S.
Painter William Salzillo began teaching at Kirkland College in 1973 and joined the Hamilton faculty in 1978 when the schools merged.
An introduction to the history, tools and language of basic animation styles. This course will trace the history of experiments in animated imagery from 19th Century photography through 20th Century film into 21st Century digital works. The class will cover basic techniques in Photoshop, Adobe Premier, and illustration and animation software interfaces.
View All CoursesStudy in the process of intaglio printmaking, including etching, engraving, dry point, and hard and soft ground techniques. Students expected to participate in group criticism. May repeat for credit at increasingly advanced levels.
View All CoursesAdvanced investigation and study of the creative tools of black-and-white and color photography. Continued exploration of personal vision with emphasis on social and cultural contexts for photography. May repeat for credit at increasingly advanced levels with permission of the professor. Oral Presentations.
View All CoursesFurther exploration of concepts and techniques presented in Introduction to Painting with emphasis on landscape and interiors as subject matter. Reinforcement of oil painting skills and introduction to egg tempera and acrylic.May repeat for credit at increasingly advanced levels with permission of the professor.
View All CoursesAdvanced study of materials such as clay, wood, plaster, steel, and plastic utilizing processes such as moulding, casting, fabrication, carving and construction. May repeat for credit at increasingly advanced levels with permission of the professor.
View All CoursesExploration of the process and theory of museum exhibition curating, taught in conjunction with the preparation of an exhibition in the Wellin Museum. Emphasis on the history of photography and the role of western art institutions in the appropriation and repurposing of archival imagery. Studio-based artistic response required based on materials presented. Students will work collaboratively on exhibition materials, including image selection and layout, catalog and wall text production, and multimedia materials such as podcasts.
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