All News
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Routledge Press has published Immigrants and Comics - Graphic Spaces of Remembrance, Transaction, and Mimesis, a volume edited by Nhora Serrano, associate director of digital learning and research at Hamilton.
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Doran Larson, the Walcott-Bartlett Chair of Ethics and Christian Evidences and Professor of Literature and Creative Writing, recently presented a paper at the National Conference on Higher Education in Prison.
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Malaysian writer Preeta Samarasan ’98 is juggling projects of varied scope and heft, but her homeland is at the heart of them all.
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In “Why Colleges Should Take a Chance on Me,” writer John J Lennon, a contributing editor for Esquire magazine, pointed to Walcott-Bartlett Chair and Professor of Literature and Creative Writing Doran Larson as the man to whom he owed his career.
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Doran Larson, the Walcott-Bartlett Chair of Ethics and Christian Evidences and Professor of Literature and Creative Writing, was recently awarded a 2021 Open Scholarship Award for the American Prison Writing Archive.
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As dusk faded into darkness on a recent October night, words, illuminated in white light, trailed down an outer wall of the Kirner-Johnson Building, sending mysterious messages to those passing by. “Once I read in a children’s book that unicorns drink moonlight” and “Sorry our elephant orphanage has no vacancies.” What to make of it?
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The Zo, a series of videos from The Marshall Project that takes a look at life inside prison received the 2020 Excellence and Innovation in Visual Digital Storytelling from the Online News Association. The series is based on the sentiments expressed in letters in the American Prison Writing Archive founded by Professor of Literature and Creative Writing Doran Larson.
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A presentation by Professor of Comparative Literature and Creative Writing Emerita Nancy Rabinowitz is featured in Agamemnon: a performance history.
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An article by Walcott-Bartlett Chair of Ethics and Christian Evidences and Professor of Literature and Creative Writing Doran Larson, recently received an honorable mention for the Revista Crítica de Ciências Sociais Prize.
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As soon as the academic year ended, Kayla White ’21 jumped into her internship with Kids Comic Con, working directly with its creator.
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