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The lights go up. A timer goes off. Someone laughs. A dark, obscured figure walks behind the stage. A voice speaks from above, and the audience looks up, searching for a speaker in the dim lighting. There’s a collective silence as everyone holds their breath, waiting for the verdict. The lights go down. The crowd claps.
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Often with musicals, the lights are on the actors, focusing on the stories they tell and the songs they sing. We don’t get a glimpse of the musicians below the stage that help create the magic that pulls you into the production.
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The classic American musical receives an update with the Theatre Department’s production. Set in 2018 Bronx, New York, five months after hurricane Maria, this timeless musical tells a story of love, of otherness and street gangs.
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Adrian Summers ’19 has been awarded a Fulbright English Teaching Assistantship (ETA) to Kenya. A Theatre and Africana Studies major, he answered some questions about his time at Hamilton and what he hopes to accomplish through his Fulbright ETA.
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A group of theatre students recently visited the Geva Theatre in Rochester, N.Y., for the world premiere of The Magician’s Daughter.
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The Wellin Museum of Art’s newest exhibition, Theaters of Fiction – works that address both the theater and opera’s historic associations with power, privilege, and wealth and those that represent sites of more democratic and popular entertainment – opens on Saturday, Feb. 16.
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What has three Fates, two apathetic lifeguards, and one possessive pterodactyl? Theatre kids, of course.
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If there’s one piece of advice that students could take away from Brittany Tomkin ’12 and Sarah Kane ’12 at their Connect to Careers in Theatre talk, it’s that you don’t need to wait for permission to pursue your dreams.
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The Hamilton College Theatre Department presents the Fall Theater Production, King Stag, written by Carlo Gozzi and directed by Professor of Theatre Craig Latrell.
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